My print debut was in DEADLINE.
Live Magazine collaborated with the Guardian/Observer to create a one-off magazine called DEADLINE. Two of my images were published in the printed edition, and one of those was featured on the Live Magazine website.
Here’s to stacks and stacks of tearsheets and bylines and the rest of it. Amen. My print debut was in DEADLINE.
Live Magazine collaborated with the Guardian/Observer to create a one-off magazine called DEADLINE. Two of my images were published in the printed edition, and one of those was featured on the Live Magazine website.
Here’s to stacks and stacks of tearsheets and bylines and the rest of it. Amen. My print debut was in DEADLINE.
Live Magazine collaborated with the Guardian/Observer to create a one-off magazine called DEADLINE. Two of my images were published in the printed edition, and one of those was featured on the Live Magazine website.
Here’s to stacks and stacks of tearsheets and bylines and the rest of it. Amen. My print debut was in DEADLINE.
Live Magazine collaborated with the Guardian/Observer to create a one-off magazine called DEADLINE. Two of my images were published in the printed edition, and one of those was featured on the Live Magazine website.
Here’s to stacks and stacks of tearsheets and bylines and the rest of it. Amen.

My print debut was in DEADLINE.

Live Magazine collaborated with the Guardian/Observer to create a one-off magazine called DEADLINE. Two of my images were published in the printed edition, and one of those was featured on the Live Magazine website.

Here’s to stacks and stacks of tearsheets and bylines and the rest of it. Amen.